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Welcome to SeeDarkly Sunday DisCOVERies:
a weekly exploration of goth, industrial, & dark alternative cover songs!
First time here? Click here for details from first entry.

Time for another Third Sunday Throwback to the 20th Century, delving into the archives to dig out a nostalgic dance-floor filler from the late 80's built on the bones of an early 70's candy-pop cult relic:

Renegade Soundwave - Biting My Nails (Geneviève Waïte)

Geneviève Waïte was a model and actress from South Africa whose successes earned her status as something of an "international underground star" in the 60's and 70's. After her starring role in the 1968 film Joanna and a couple of pictorials for Playboy magazine, she married John Phillips of The Mamas & the Papas. It was in collaboration with him as a her co-songwriter and producer that she recorded her 1974 solo album, Romance Is On The Rise. The single released from the album was only distributed in France and featured two tracks: Love Is Coming Back on side A and Biting My Nails on side B. Waïte went on to perform the A-side track in a couple of films, including the 1976 sci-fi drama, The Man Who Fell to Earth (starring David Bowie, with whom it's said she was intended to co-star, but she had to decline due to commitments on another project.) The album and single were said to have been received favorably over all, though neither actually sold particularly well. And while the A-side of her single seemed to be exposed more prominently, it was the B-side that inspired a number of covers. One such cover was recorded by Tim Curry in 1976 (shortly after he appeared in The Rocky Horror Picture Show) for an album he never released. It was later included on Songs From The Vaults (A Collection Of Rocky Horror Rarities), the fourth of a four-disc RHPS collection released in 1993.

Waïte's style may well be one of the earliest examples of a type of campy saccharine European mod-pop, possibly laying foundations for later eccentric artists like perhaps Laurie Anderson, Cyndi Lauper, and others. That alone makes it seem a curious pick for a punkish hip-hop industrial dub trio from out of London, even more curious that any one of them actually owned her album. Renegade Soundwave (aka "RSW"), comprised of Gary Asquith, Danny Briottet, and Carl Bonnie, released their cover of Biting My Nails as their first single with Mute Records in 1988. It was later included on their first album, Soundclash in 1989. In one interview, Asquith recalled that he had played Waïte's album for Bonnie at his flat one day. Later Bonnie and Briottet came to him with an arrangement they'd developed with Waïte's song in mind and thought the lyrics would make a great fit. Their version is an eclectic assortment of samples that include an industrial drill, a fire alarm, a guitar riff from Jimmy Page, and drum loops from KC & the Sunshine Band. RSW also replaced Waïte's "Oooh Oooh" with recognizable brass sampled from Eddie Floyd's Knock on Wood. There are some lyrical differences as well. Instead of Waïte's late-track somewhat spastic soliloquy, RSW inserts two original verses following the general cadence of the first two. Additionally they replaced one line of an earlier verse with something a little modernizing and self-referential.
Their cover also appears on the soundtrack of the independent 1991 comedy, London Kills Me.
In truth, it wasn't much more of a commercial hit than the original but the track nonetheless was a huge dance-floor banger, in time becoming a classic.

...pation. ;)

The Cover:



The Original:



Next week:
We'll take another look at a song featured in a previous Third Sunday Throwback, presenting the first in a recurring series: Four by Four, where we'll explore four OTHER COVERS of that track. Which one of 116 prior songs will we revisit? Well for the most current version, it has to do with a certain blonde from the coldest city...

Comments, suggestions, discussions, etc... welcome!
(You do NOT need a Dreamwidth account to comment, but all comments are screened for spam prevention.)

I'll spin next on the last Friday this month. Check my schedule for details. ^_^

Explore the darkness,
-Xero

Previous DisCOVERies

Jul 09 - You Shriek - Invisible Sun (The Police)
Jul 02 - Urgess - Spider-Man Theme (Paul Francis Webster and Robert "Bob" Harris)
Jun 25 - Sirus - My Own Summer (Deftones)
Jun 18 - Null Device - What's On Your Mind (Pure Energy) (Information Society)
Jun 11 - Marilyn Manson - I Put A Spell On You (Screamin' Jay Hawkins)

Directory of All Previous DisCOVERies
seedarklyxero: SDXeroEye with glow (Default)
Welcome to SeeDarkly Sunday DisCOVERies:
a weekly exploration of goth, industrial, & dark alternative cover songs!
First time here? Click here for details from first entry.

As summer began a couple of weeks ago, I presented a cover that cried out against the unbearable heat and light from our day-star. After all, as goths, to paraphrase Darkness from Legend, sunlight is our destroyer! (Such drama, I know, but we ARE a pale lot.) This week's Second Sunday Slowly downtempo cover is only titled along that theme of shrouding our solar enemy. In truth, while perhaps as apocalyptic as My Own Summer in some ways, this track has a very different objective and a far more political meaning.:

You Shriek - Invisible Sun (The Police)

The Police released Invisible Sun in the UK as the first single of their fourth album, Ghost in the Machine, in September 1981. The album concept hinged on ideas inspired in part by Arthur Koestler's 1967 book, The Ghost in the Machine, which explored the human psychology behind self-destructive inclinations. (The phrase "ghost in the machine" is believed to have first been used by British philosopher Gilbert Ryle in his 1949 book, The Concept of Mind, in which he used it to critique the theories of "mind-body dualism" as presented by René Descartes.)
This track of the album was written while lead singer Sting was living in Northern Ireland during the Belfast hunger strikes in a time commonly referred to as "The Troubles." Sting had said the song was about "the lurking violence of those streets, patrolled by armored cars, haunted by fear and suspicion, and wounds that would take generations to heal." Combined with drummer Stewart Copeland's concerns about the bombings that had killed thousands in his hometown of Beirut during the Lebanese Civil War, the song's central message seemed to be one of hope in the face of dark times when the light you can not see will come, as Sting put it, "at the end of the tunnel."
It's reported that the BBC banned the song (possibly due to lyrics about the ArmaLite rifle, a weapon utilized heavily by the Provisional IRA) or its video (which included war-torn scenes from the conflicts in Ireland) but since several sources contradict each other, the extent of that ban is unclear. And while the single was not released in the U.S., MTV gave its video substantial airplay.
Needless to say there is a lot of complicated political history attached to the song, which was regarded at the time as the darkest of their tracks thus far.

You Shriek, the Boston based industrial/darkwave trio, released their second full-length album, Unreal Cities, in 2002. It includes their even moodier version of Invisible Sun. The band had started their career with a cover of Bela Lugosi's Dead. Later they did a cover of Joy Division's Warsaw and have since done a cover of Public Image Limited's Ease. In 2012 they released the five-track EP, Hagiography I, featuring covers of deep-cuts from Sisters of Mercy, Siouxsie and the Banshees, Dead Can Dance, Cocteau Twins, and again, Bauhaus. If they have a particular inspiration for having done Invisible Sun, it may well say so on limited editions of the album which came in handmade, cloth-bound books. (There were only 200 made and despite moving in similar or adjacent social circles as the band, I don't have one to verify.) You Shriek's version strips away the reggae influences that permeate The Police's new wave sound, leaving it starker through the chorus and darker over all.
Given the state of things in our world today, if this is a song meant to remind us that there is eventually an end to hardships, let's hope we haven't only just entered our metaphorical tunnels and are close to the other side.

The Cover:



The Original:



Next week:
Our Third Sunday Throwback to the 20th century will reveal just what "she" said when "she" came up to the South African model from the 70's or the 80's dub-industrial trio who covered her. Who is "she?" Who is the model? Who are they? Waïte for it... 'cause if I told you now, how could I possibly build the antici..... (pay off on that tease might also surprise you!)

Comments, suggestions, discussions, etc... welcome!
(You do NOT need a Dreamwidth account to comment, but all comments are screened for spam prevention.)

I spin late this month and details can, as always, be found on my schedule where I'll also post any changes/additions should they arise. ^_^

Explore the darkness,
-Xero

Previous DisCOVERies

Jul 02 - Urgess - Spider-Man Theme (Paul Francis Webster and Robert "Bob" Harris)
Jun 25 - Sirus - My Own Summer (Deftones)
Jun 18 - Null Device - What's On Your Mind (Pure Energy) (Information Society)
Jun 11 - Marilyn Manson - I Put A Spell On You (Screamin' Jay Hawkins)
Jun 04 - Siouxsie Sioux - These Boot Are Made For Walkin' (Nancy Sinatra)

Directory of All Previous DisCOVERies
seedarklyxero: SDXeroEye with glow (Default)
Welcome to SeeDarkly Sunday DisCOVERies:
a weekly exploration of goth, industrial, & dark alternative cover songs!
First time here? Click here for details from first entry.

I'll admit what I'm about to present is on the out-most fringe of anything goth, industrial, or even dark. It's downright upbeat, fun, and I am barely able to justify it on the basis of its sound. However, even KMFDM once did an entire soundtrack to a video game of the titular wall-crawling webhead, so I feel certain many in the darker subcultures can appreciate this tune spun from IDM/trip hop as frankly one of the (ahem) "superior" covers of the theme. So face front, true believers! Next weekend may bring us a heroic homecoming, but this one brings you the theme that introduced the mighty marvel to motion media!

Urgess - Spider-Man Theme (Paul Francis Webster and Robert "Bob" Harris)

Spider-Man, the first ever animation series to feature the character, debuted on the ABC network's Saturday morning cartoon line-up on September 9, 1967. It was preceded by a single season of The Marvel Super Heroes cartoons that featured Captain America, Thor, Iron Man, Hulk, and Submariner, with no appearance of Spider-Man in any episode. Co-creator Stan Lee has said he originally hadn't thought about animating Spider-Man until the Grantray-Lawrence Animation producers came to him with the idea because they were actual fans of the character. "Smiling Stan Lee" & "Jazzy Johnny Romita" were credited as the show's story and art consultants. The theme for the series was developed and recorded by lyricist Paul Francis Webster and composer Robert "Bob" Harris who used an uncredited array of twelve vocalists on the track from the Billy Van Singers and Laurie Bower Singers.
After the Spider-Man cartoon debuted, Marvel celebrated achieving status as the top-selling comic publisher at that time, no doubt in part due to the show's reach to new readers. The cartoon series changed production hands to Krantz Films after the first season. Its original run lasted for a total of three seasons and spent many years after in syndication. There have been eight subsequent Spider-Man cartoons (with another series scheduled to air sometime this summer) and none have used any version of the original theme, though the theme performed by Joe Perry of Aerosmith for the 1994 Spider-Man series seemed to take some inspiration from the original.
The theme was used again in all three of Sam Raimi's Spider-Man films: covered by a couple of street musicians, Michael Bublé, and a marching band, but only in its original form for the credits in the first of the trilogy. The theme also appears as Peter Parker's ringtone in the second of the two recent "Amazing" films. Michael Giacchino, composer for the soundtrack of the upcoming Spider-Man: Homecoming film (opening next weekend), has revealed on twitter that his score will include an orchestral version of the theme as well.
Apart from its use in the film and television media, the theme has also been covered by punk-rockers The Ramones and the campy lounge singer Richard Cheese.

Ugress is the cinematic-electro brainchild of Norwegian musician, Gisle Martens Meyer. Meyer released his first full-length studio album after making a name for himself as a touring concert performer. Resound, which features his instrumental cover of Spider-Man as its first track, was released on September 9, 2002, exactly 35 years after the cartoon first aired! It seems that this version may have been taken entirely or in part from live performances and cleaned up in post-production. Given the timing, it's possible Meyer had been performing the theme live following the 2002 summer release of the Spider-Man film and after significant crowd response decided it should be included on the album, but there's really nothing to confirm that theory. Beginning with a sample of the orchestral fanfare that accompanied the original show's title, Meyer's version sounds like an eclectic assemblage of world instruments with roots in eastern musicality and trip-hop style. It captures the heart of the theme while giving it an energetic dance rhythm designed to make you move. Because if Spidey has taught us anything, it's that action is its own reward.

The Cover:


The Original:



Next week:
Second Sunday Slowly returns to its regularly scheduled time slot. Remember how the feature last week expressed a desire to shove the sun from the sky? The upcoming downtempo darkwave cover also revolves around seeing less of the sun.

Comments, suggestions, discussions, etc... welcome!
(You do NOT need a Dreamwidth account to comment, but all comments are screened for spam prevention.)

Summer heat is putting half my gigs on hiatus so my next is at the end of this month. When details are available, you can find them on my schedule. ^_^

Explore the darkness,
-Xero

Previous DisCOVERies

Jun 25 - Sirus - My Own Summer (Deftones)
Jun 18 - Null Device - What's On Your Mind (Pure Energy) (Information Society)
Jun 11 - Marilyn Manson - I Put A Spell On You (Screamin' Jay Hawkins)
Jun 04 - Siouxsie Sioux - These Boot Are Made For Walkin' (Nancy Sinatra)
May 28 - :wumpscut: - All Cried Out (Alison Moyet)

Directory of All Previous DisCOVERies
seedarklyxero: SDXeroEye with glow (Default)
Welcome to SeeDarkly Sunday DisCOVERies:
a weekly exploration of goth, industrial, & dark alternative cover songs!
First time here? Click here for details from first entry.

Well if you're angry at the world, this could be a good one to both kick off a summer for which you have no love and expel some rage:

Sirus - My Own Summer (Deftones)

Alt-metal rockers Deftones released their second album, Around The Fur, in October 1997. My Own Summer (Shove It) was its first single. The album was noteworthy for the way they incorporated new wave and shoegaze elements into their metal sound, a departure from their first. The track was not the most successful of their singles but despite its lack of chart-worthy sales it nonetheless resonated on alternative and rock radio (and MTV which was still playing music videos more prominently at that time.) Lead singer and lyricist Chino Moreno has said that he wrote the song in Seattle during a particularly hot summer in 1994. According to recounts, he would cover his windows and write in the dark, dreaming of an "apocalypse" that would empty the streets of people and shove the sun from the sky. The song is pretty straight forward in its description of his need.
My Own Summer also appeared on the soundtrack of The Matrix and has been covered by a small number of other artists, including Linkin Park, Atreyu, and Muse.

The label Digital World Audio gathered its stable of industrial artists to produce a covers compilation which they released in August of 2015. Covered In Darkness features covers of tracks ranging from 80's new wave, 90's alt rock, retro industrial, rap, and more. Artists on the album include C-Lekktor, Rave The Reqviem, Cygnosic, Technolorgy, and Terrolokaust (who contributed their previously released cover of Korn's Falling Away From Me.) Sirus (not to be confused with Sirius, the brightest star in our night sky,) a four member cyber-punk/terror EBM project from Australia, seemed to simply think of the album as "a crazy idea" but loved it and worked to offer fans something a little out of the ordinary from them with their cover of My Own Summer. While the band doesn't name explicitly The Prodigy as an influence, their approach to the song is remarkably evocative of tracks from The Fat Of The Land from start to finish. Their vocals distinguish them from that style however, with Josh Rombout leading with a refined yet slightly edgier take on the original while their backing vocalist Danielle McKay takes duty on a portion of the lyrics, melodically enhancing the whole with her interstitial presence.

It's a blistering revision of the source material, with every intent to shove you aside if you don't shove back!

The Cover:



The Original:



Next week:
With that out of our system, I've planned a fun entry in anticipation of a certain heroic homecoming weekend with something a little synthpop, a little trip-hop, and perhaps less dark than our usual titular fare would imply here.

Comments, suggestions, discussions, etc... welcome!
(You do NOT need a Dreamwidth account to comment, but all comments are screened for spam prevention.)

I spin next on Friday in Western Mass. Check my schedule for details. ^_^

Scream in darkness,
-Xero

Previous DisCOVERies

Jun 18 - Null Device - What's On Your Mind (Pure Energy) (Information Society)
Jun 11 - Marilyn Manson - I Put A Spell On You (Screamin' Jay Hawkins)
Jun 04 - Siouxsie Sioux - These Boot Are Made For Walkin' (Nancy Sinatra)
May 28 - :wumpscut: - All Cried Out (Alison Moyet)
May 21 - Sisters of Mercy - Gimme Shelter (Rolling Stones)

Directory of All Previous DisCOVERies
seedarklyxero: SDXeroEye with glow (Default)
Welcome to SeeDarkly Sunday DisCOVERies:
a weekly exploration of goth, industrial, & dark alternative cover songs!
First time here? Click here for details from first entry.

In order to accommodate last week's feature I swapped the scheduling for what would be my usual "Second Sunday Slowly" and Third Sunday Throwback entries, so that means this week we go down-tempo. "Synth Sunday Slowly" for the sake of my dopey alliterations. :P
Meld your mind to my mind, your thoughts to my thoughts, and enjoy this subtle re-vamp of an 80's synthpop favorite:

Null Device - What's On Your Mind (Pure Energy) (Information Society)

What's on Your Mind (Pure Energy) was the first single released from Information Society's self-titled 1988 debut album. The song was inspired in part by Peter Gabriel's Sledgehammer and a number of Duran Duran tracks that were popular at the time. The element that made the track stand out most however was its use of samples from the late 60's Star Trek series and the characters Mr. Spock and Doctor McCoy. The opening quote form McCoy came from the second season episode, I, Mudd. Spock's quote, which serves as subtitle to the track, came from the first season episode, Errand of Mercy. The complete line referred to a pacifist alien race of great power that reveal their nature near the episode's end, "Fascinating. Pure energy. Pure thought. Totally incorporeal. Not life as we know it at all."
InSoc did resort to using Star Trek samples in various other tracks, but none gained the popularity of what has become considered their "one-hit wonder."
There have been a few covers of the track; some of note include those by Tre Lux (Tina Root's post-Switchblade Symphony solo project,) Guggenheim & Gas-Mask, and this one by Null Device.

Null Device are a synthpop project based in Wisconsin that formed in 1994. In those 20-plus years they've covered The Ubiquitous Mr. Lovegrove by Dead Can Dance, Monkey Gone To Heaven by Pixies, and more recently, All You Fascists Bound To Lose by Woody Guthrie. They released their version of What's on Your Mind (Pure Energy) in November 2016. As self-proclaimed "InSoc nerds," the choice to cover one of their favorite InSoc songs came naturally. They say some of the inspiration for their take on the song came from when they "watched Stranger Things and thought it might be cool to re-contextualize the song as more along the lines of a darker, moodier theme inspired by that series." They describe the result as "a harrowing tale of psychic powers gained in a Cold War experiment gone wrong. Or… something."
Technically their cover is near-identical to the original in beats-per-minute but it minimizes percussion and syncopation in ways that stretch the sense of rhythm, giving it a suspenseful cinematic down-tempo effect.

The Cover:


The Original:



Next week:
Summer officially begins this week so we'll kick it off with some appropriately themed terror-EBM!

Comments, suggestions, discussions, etc... welcome!
(You do NOT need a LiveJournal account to comment, but all comments are screened for spam prevention.)

I spin next this coming weekend in the Boston area. As always the details can be found on my schedule for those who'd like to join! ^_^

Explore the darkness,
-Xero

Previous DisCOVERies

Jun 11 - Marilyn Manson - I Put A Spell On You (Screamin' Jay Hawkins)
Jun 04 - Siouxsie Sioux - These Boot Are Made For Walkin' (Nancy Sinatra)
May 28 - :wumpscut: - All Cried Out (Alison Moyet)
May 21 - Sisters of Mercy - Gimme Shelter (Rolling Stones)
May 14 - Torso - Nijinski [Nijinsky] (Daniel Darc)

Directory of All Previous DisCOVERies
seedarklyxero: SDXeroEye with glow (Default)
Welcome to SeeDarkly Sunday DisCOVERies:
a weekly exploration of goth, industrial, & dark alternative cover songs!
First time here? Click here for details from first entry.

Today marks a special occasion for a special someone, so the cover featured is one of her favorites. As a result of the timing I'm forgoing my standard alliterative subtitles for this week and next (i.e. "Second Sunday Slowly" & Third Sunday Throwback") because that favorite falls into the "20th century" category and may not be considered entirely downtempo. Perhaps for its "shock goth" and "lurid lounge" sensibilities, I suppose I could get away with calling it a "Second Sunday Striptease" ;) :

Marilyn Manson - I Put A Spell On You (Screamin' Jay Hawkins)

Screamin' Jay Hawkins, (the "Jay" short for "Jalacy,") recorded but didn't release his original version of I Put A Spell On You in 1955. It was a lamenting blues ballad about the loss of an ex-girlfriend. It's said the producers were unsatisfied with it and, in search of something stranger, they threw a party during a recording session to change the atmosphere. Hawkins claims he doesn't actually remember recording the version that came out of that day, but somehow remembered the discovery that he "could do more destroying a song and screaming it to death." That version was released in November 1956 and was all but entirely banned from radio. The single still managed to sell over a million copies after the release of an edited version, which is said to have been tremendously popular with teenagers. The track was put on his first album, At Home with Screamin' Jay Hawkins, in 1958. When invited to perform the song live, he developed a shocking stage show to compliment the song: wearing a long cape, tusks jutting from his nostrils, coming out of a flaming coffin, a skull he would address as "Henry" mounted atop a stick, snakes, fireworks, etc...; his sensational antics were the beginning of a whole new performance style.
Many covers of the track have been released over the years by artists such as Nina Simone, Tim Curry, Annie Lennox, Nick Cave (and the Cavemen), and Bryan Ferry. Just last week, a cover of the track was featured on the sixth episode of the HBO series American Gods recorded by Brian Reitzell and Mark Lanegan (formerly of the Screaming Trees.) Most of these versions leaned into more jazz/blues/pop revisions; very few attempted to modernize the original's frantic "screamin'" style. Marilyn Manson, however, did.

Manson released Smells Like Children as an E.P. (though it had enough tracks for a full album) in October 1995 featuring his cover of I Put A Spell On You. It also featured his cover of Sweet Dreams (Are Made of This) by the Eurythmics, which was the only single released from the disc. Manson has said they wanted Spell to be a single but he thought it "was far too dark, sprawling and esoteric, even for some of our fans."
David Lynch included Manson's cover of Spell in his 1997 film, Lost Highway, as part of a scene where Patricia Arquette's character was made to strip at gunpoint for a gangster/porn producer. Manson himself got his acting debut in Lost Highway as one of the porn stars in that producer's films.
It's evident from Manson's entire persona that he was greatly inspired by Hawkins and his cover is both loyal to the original's aesthetic and also a dynamic evolution of the seminal "shock rock" waltz.

To that special lady: this one is yours... as am I, under your spell:

The Cover:



The Original:



Next week:
Third Sunday Synthpop Slowly! (Just because I'm swapping my schedule around a little doesn't mean I have to completely abandon my typical needless alliterations!) Something dark and downtempo and relatively new from an artist never previously featured here!

Comments, suggestions, discussions, etc... welcome!
(You do NOT need a Dreamwidth account to comment, but all comments are screened for spam prevention.)


I was scheduled last minute for a gig in Boston tomorrow night. My schedule has details on that and the other two events I've got on the books for later this month. Feel free to join if you can! ^_^

Explore the darkness,
-Xero

Previous DisCOVERies

Jun 04 - Siouxsie Sioux - These Boot Are Made For Walkin' (Nancy Sinatra)
May 28 - :wumpscut: - All Cried Out (Alison Moyet)
May 21 - Sisters of Mercy - Gimme Shelter (Rolling Stones)
May 14 - Torso - Nijinski [Nijinsky] (Daniel Darc)
May 07 - Faderhead - SexyBack (Justin Timberlake)

Directory of All Previous DisCOVERies
seedarklyxero: SDXeroEye with glow (Default)
Welcome to SeeDarkly Sunday DisCOVERies:
a weekly exploration of goth, industrial, & dark alternative cover songs!
First time here? Click here for details from first entry.

Two things I haven't done on this blog: featured live recorded covers or spoken with any confidence about the overall direction of DC Comics and their films. On the latter point, I think DC TV has gotten far more right than DC films have, films which I have boycotted seeing in theaters. However, in a couple of weeks I'm going to give Wonder Woman a chance and I hope I'm not disappointed by it as I have been by the previous DCEU films. There does sound certainly like there's reason to be hopeful this time.
I only mention it at all because one fun promo for the film (now at the box office) featured members of the female cast of Supergirl (again, TV being what DC does well, I'm a fan) including Lynda Carter (TV's Wonder Woman circa 1975-9) as her character, President Olivia Marsdin. The song in the promo (in fact the promo's whole theme) focuses on this super-heroine's iconic footwear and that song has been covered in concert in recent years by someone we could call fairly the "Wonder Woman of Goth":

Siouxsie Sioux - These Boots Are Made For Walkin' (Nancy Sinatra)

Nancy Sinatra's debut album, Boots celebrated its 50th anniversary last year, having been released in March 1966. Its first single, These Boots Are Made for Walkin', was released just the month before. It was written by the album's producer, Lee Hazelwood, who originally intended to record it himself (and later did.) Sinatra convinced him it required a younger, more feminine approach. In later years she said "when a guy sings it, the song sounds harsh and abusive, but it's perfect for a little girl." (She was 26 when she recorded it.) Hazelwood thought of it as not much more than "a party song" and "a joke" but in her voice it went on to be an international smash hit. In the 70's Sinatra said she regretted the success of this bit of psychedelic country go-go pop because it tied her to the "hard" image of its lyrical story and she felt that "wasn't her" because she was "as soft as they come."
Nevertheless, she inspired over 200 different covers of These Boots Are Made for Walkin' by a wide array of artists, including the likes of Boy George, Crispin Glover, David Hasselhoff, The Fixx, Kon Kan, Megadeth, Operation Ivy, Nick Cave with his first band The Boys Next Door, Former Bad Seeds members Anita Lane and Barry Adamson, and KMFDM.

Siouxsie Sioux, a post-punk amazon in stature by way of her legacy more than her size, began her solo career apart from the Banshees in 2004. Her 2009 concert DVD release of Finale: The Last Mantaray & More Show was recorded live on September 29, 2008 at KOKO in Camden Town, London. As the name suggests, it was the last show of her tour in support of her 2007 album, Mantaray. While not on any album, Sioux's adoption of Boots into her live performances may well have been inspired in part by her 2007 divorce from former Banshees band-mate, Budgie, but other than the coincidental timing, there is little on which to confirm that theory. It is also possible that she may have been sitting on the idea of doing the song from when she and Morrissey collaborated on a single in the 90's. Morrissey had sent Sioux a tape containing tracks by female singers he was considering they cover for their duet. It's said several songs by Nancy Sinatra were on that tape but it's not clear which. (They ended up picking Interlude by Timi Yuro instead.) Sioux is reportedly working on her next album so there's the chance it could include a studio recording of the cover.
Sioux, who turned 60 last weekend, and Sinatra, who turns 77 later this week, both happen to be Geminis - the priestess and the princess, sisters under the sign, immortal inspirations to generations of musicians, and all while wearing bad ass boots!:

The Cover:
(this recording may not actually be from the DVD or where it claims either, but it's the only source available for now.)



The Original:



Next week:
I'm far more a fan of Scarlet Witch and I've been, ahem, "spellbound"... in a manner of speaking. So for a special person and a special occasion I'm swapping the weeks of the usual Second Sunday Slowly and Third Sunday Throwback features this month to bring you some shock-goth from the 20th century.

Comments, suggestions, discussions, etc... welcome! (You do NOT need a Dreamwidth account to comment, but all comments are screened for spam prevention.)

I spin twice this month but the info and links to get details and RSVP will be updated on my schedule in the next day or two, for those local enough to join the fun.

Make Mine Marvel, d(^_^)b
-Xero

Previous DisCOVERies

May 28 - :wumpscut: - All Cried Out (Alison Moyet)
May 21 - Sisters of Mercy - Gimme Shelter (Rolling Stones)
May 14 - Torso - Nijinski [Nijinsky] (Daniel Darc)
May 07 - Faderhead - SexyBack (Justin Timberlake)
Apr 30 - Forevel - It's No Good (Depeche Mode)

Directory of All Previous DisCOVERies
seedarklyxero: SDXeroEye with glow (Default)
Welcome to SeeDarkly Sunday DisCOVERies:
a weekly exploration of goth, industrial, & dark alternative cover songs!
First time here? Click here for details from first entry.

Recently, a patron of one of the events I spin made a critique of me as a DJ that I never play the deep tracks of a particular industrial artist they always request. They went on to say, "I should have requested a COVER by them, THEN you'd play it," admitting they didn't really know if the artist in question had done any covers. Well... they have:

:wumpscut: - All Cried Out (Alison Moyet)

When Alison Moyet and Vince Clark disbanded their synthpop/newwave project Yazoo after only two albums, Moyet went on to a moderately successful solo career, predominantly in the UK. While she is due to release her ninth studio album in about three weeks, her first, Alf, was released in November 1984. Not to be confused with the TV series, ALF, which first aired in 1986, "Alf" was a childhood nickname of the Essex-born songstress. Her label encouraged that she embrace the musical style of acts like Bananarama & Spandau Ballet, who were popular at the time. To that end she worked with their producers Tony Swain & Steve Jolley on the album for a sound a bit more mainstream than her work on Yazoo. All Cried Out was her second single released the month before Alf. Moyet says they wrote the song in about ten minutes on their first day of working together. The single and album were hits in Europe, but didn't quite move in the U.S., hypothetically due in some measure to legal fall out between her and Yazoo's American label, Warner Brothers.

:wumpscut:, the brainchild of German electro-industrial artist Rudy Ratzinger, released his cover of All Cried Out on a bonus disc of new recordings he included on a compilation titled Preferential Tribe in 2003. The comp was effectively a 4 disc re-issue of the 1995 Preferential Legacy, the 1997 Music For A German Tribe, and other select rarities. When asked about his first cover, Ratzinger admits that his interest in the track came not from Moyet directly but first from the 2002 cover by the German pop act No Angels. He's said he's "not a die-hard fan" of No Angels and likes both versions of the track. His own version seems to have much more structurally in common with Moyet's while simultaneously being very different in its approach. He has indicated that this was "a wink" and that it would be "very funny to see the reaction" of those fans who hear it. In a somewhat poorly translated interview it appears that fans had been after him for years to do a cover and his hope was that this wouldn't be dismissed due to its "catchy melodies" that may be distinctive from his usual hard EBM style. Other songs he considered covering are Walking In The Rain by Grace Jones, Lady In Black by Uriah Heep, On The Rebound by Russ Ballard or Love To Love You Baby by Donna Summer. His cover of All Cried Out can also be found on his DJ Dwarf Three and Dwarf Craving v2 compilations.

When I considered that I would eventually spotlight Alison Moyet, I figured it would be to talk about a cover of Yazoo and certainly never expected the cover would be from :wumpscut:, but here we are: an insistent EBM dance version of one of Moyet's earliest hits with her soulful vocals replaced with the raspy growls of a mad man. Times are weird but at least this is the kind of strange I can totally get behind.

The Cover:



The Original:




Next week:
Something to make you wonder. Pretty likely by a woman. ¯\_(ツ)_/¯

Comments, suggestions, discussions, etc... welcome! (You do NOT need a Dreamwidth account to comment, but all comments are screened for spam prevention.)

Next dates I'll be spinning are in June. Details will be updated on my schedule soon. ^_^

Explore the darkness,
-Xero

Previous DisCOVERies

May 21 - Sisters of Mercy - Gimme Shelter (Rolling Stones)
May 14 - Torso - Nijinski [Nijinsky] (Daniel Darc)
May 07 - Faderhead - SexyBack (Justin Timberlake)
Apr 30 - Forevel - It's No Good (Depeche Mode)
Apr 23 - Trent Reznor & Atticus Ross w/ Karen O - Immigrant Song (Led Zeppelin)

Directory of All Previous DisCOVERies
seedarklyxero: SDXeroEye with glow (Default)
Welcome to SeeDarkly Sunday DisCOVERies:
a weekly exploration of goth, industrial, & dark alternative cover songs!
First time here? Click here for details from first entry.

It's the day before World Goth Day and this week's Third Sunday Throwback to the 20th Century focuses on an 80's goth rock cover of an iconic late 60's hard rock track that in some ways closed a particular chapter in music history:

Sisters of Mercy - Gimme Shelter (Rolling Stones)

The Rolling Stones released Let It Bleed as their tenth studio album in the U.S. in January 1969. Gimmie Shelter (later spelled "Gimme") was its first track and was praised by many critics of the time as their best song thus far. Its chorus featured backing vocals by gospel/soul singer Merry Clayton. The song was a chronicle of the times, speaking to the impact of the Vietnam War and the protests against it.
Later that year, The Rolling Stones planned to end their tour in conjunction with a free concert organized in part with Jefferson Airplane and the Grateful Dead. Held at Altamont Speedway in California, the event that was meant to be "Woodstock West" instead became known as "rock and roll's all-time worst day" due to significant amounts of violence, chaos, and several deaths. Most notable of the deaths was the wrongful slaying of an armed African-American by a member of the Hell's Angels biker gang. (The Angels were acting as ersatz "security" for the event, paid in the beer they consumed heavily while "on-duty.") A documentary of the concert, which captured the murder on film during the set by The Rolling Stones, was also titled Gimme Shelter, but their actual performance of the song is not shown.

Andrew Eldritch, front-man of the Sisters of Mercy, has indicated that the Altamont concert was influential in their decision to cover the song. In one interview he explained inarticulately, "Altamont's very important. If there's a part of history where rock music stopped for a second and we began. If there's a point where the seeds of what we do were sown, it's probably Altamont, cause it encapsulated everything wonderful at the time. The good things and the bad things, and a lot of both. It's when the trip turned sour and it's when the best music was."
The Sisters of Mercy version of Gimme Shelter was released in 1983, one of two tracks on the B-side of their Temple of Love 12-inch single. Later it was included on their 1992 compilation, Some Girls Wander By Mistake.

Where the Stones seem to intend the track as warning of the threat of continued warfare and violence in favor of the free-love attitudes prevalent in the counter-culture of the 60's, Sisters of Mercy's take is far more cynical. One of the unique elements of their cover is that they swapped the positions of the words "kiss" and "shot" in the lyrics, accentuating an idea that the threat so portentous in the original has already become our reality and even "free-love" could be a danger in itself. It's a dark and foreboding interpretation, heavy with all the gloom and gothic atmosphere that inherent to their signature style.

The Cover:



The Original:



Next week:
Recently, a patron of one of the events I spin made a critique of me as a DJ that I never play the deep tracks of a particular industrial band they always request. They went on to say, "I should have requested a COVER by them, THEN you'd play it," then admitting they didn't know if the band in question had done any covers. Well... they have. And next week you could be "crying" (possibly with laughter or in astonishment) when you find out which band and what they've done! ^_^

Comments, suggestions, discussions, etc... welcome! (You do NOT need a Dreamwidth account to comment, but all comments are screened for spam prevention.)

I'll be spinning in Western Mass this Friday again. As always you can find details and links on my schedule. ^_^

Explore the darkness,
-Xero

Previous DisCOVERies

May 14 - Torso - Nijinski [Nijinsky] (Daniel Darc)
May 07 - Faderhead - SexyBack (Justin Timberlake)
Apr 30 - Forevel - It's No Good (Depeche Mode)
Apr 23 - Trent Reznor & Atticus Ross w/ Karen O - Immigrant Song (Led Zeppelin)
Apr 16 - Type O Negative - Cinnamon Girl (Neil Young w/ Crazy Horse)
Apr 09 - PreCog - Pepper (Butthole Surfers)

Directory of All Previous DisCOVERies
seedarklyxero: SDXeroEye with glow (Default)
Welcome to SeeDarkly Sunday DisCOVERies:
a weekly exploration of goth, industrial, & dark alternative cover songs!
First time here? Click here for details from first entry.

Here in the States, we who are in a fight for the very "notion of our nation" applaud the French election and their resistance against Russian influence. We are simultaneously horrified by reports of Russia's inhumanly homophobic crimes against its people. Russia's escalating aggression toward its LGBT communities is among reasons why this very blog was forced to move from LiveJournal (where the Terms of Service of the site based in Russia became unwelcoming to portions of my content) here to Dreamwidth. As a point of subversive irony, this week, our Second Sunday Slowly feature highlights a downtempo darkwave cover of a French artist who was influenced by the works of a Russian dancer noted for his controversial choreography and sexuality:

Torso - Nijinski [Nijinsky] (Daniel Darc)
(It's possible some details found here may have been translated imprecisely from their French and Russian sources, but I've done what I could to be as accurate as possible.)

Daniel Darc, formerly of the New Romantic era French new-wave band Taxi Girl, released his second solo album in 1994. Nijinsky was the title track, inspired by a book about Russian ballet dancer, Vaslav Nijinsky. According to one account, Darc was just out of jail and in a subway where he'd picked up the book. While reading it, someone pointed out to him his nose was bleeding. It was as he saw his blood mixed with the pages that he decided he would devote this album to the dancer.
Nijinsky was regarded as the preeminent male dancer of the early 20th century. He became a founding member of the Ballets Russes in 1909, with which he had performed Scheherazade (which featured a multi-racial orgy) and had choreographed L'après-midi d'un faune (depicting erotic mythological creatures masturbating). Nijinsky, who was homosexual, found himself fired from the company shortly after his marriage to the daughter of a Hungarian politician. When the first World War began his Russian citizenship rendered him an enemy of Hungary and he was placed under house arrest until a prisoner exchange allowed him to come to the U.S.. He performed and toured again for a time but due to injury and stress, his skill deteriorated. His later years were plagued by mental illness and asylum stays. His diaries were published, though his wife had altered the original editions to exclude many details of his homosexuality and any unflattering remarks about her. The Diary of Vaslav Nijinsky was fully restored in 1999.
It is not entirely clear what book had inspired Darc but his thus-inspired album was received favorably. It was, however, considered an unfortunate "commercial failure," presumably because of generally low sales due to poor marketing.

But that isn't to say it touched no one.

According to Vincent Fallacara of Strasbourg, at the time lead singer of A Sordid Poppy, he was suffering another night of insomnia when he was struck by the song as it aired on TV sometime in 1994 or 1995. He felt as if he'd "just found an old friend who had been long lost." Years later after he and his brother Marco formed their French dark-wave/new wave project Torso, they recorded a cover of Nijinsky. It was the first track on their self-titled E.P. in 2004 which they appear to have only made available for download from their website (no longer functional.) Their cover went on to be included on a 15-track 2005 tribute to Daniel Darc & Taxi Girl titled, Quelqu'un Comme Nous.

When Daniel Darc died in February 2013, Unknown Pleasures Records collaborated with various French artists to produce the 17-track Tribute To Daniel Darc & Taxi Girl which was released in November that year. Torso's cover was included on the compilation, along with another more uptempo version of the track by Follow Me Not.

Torso, inspired additionally by The Cure, Joy Division, and Massive Attack, drop the tempo of Darc's generally poppy new wave rock track, which itself has more in common with Echo & the Bunnyman or The Church. While both adopt an almost western style riff, Torso's approach is more of a dark bassy saunter in stark contrast to Darc's more lively guitar gait. Torso also perform the vocals in a sort of spoken/sung echo or canon. At near twice the duration of the original, Torso have definitely expressed something unique and loving about their "old long lost friend."

The Cover:



The Original:



Next week:
Where this entry was about inspiration derived from a "mother" of sorts, the next will be about a track from the 60's covered in the 80's by some goth rock "sisters" for our Third Sunday Throwback to the 20th century.

Comments, suggestions, discussions, etc... welcome! (You do NOT need a Dreamwidth account to comment, but all comments are screened for spam prevention.)

I'll spin next in West Mass on the last Friday of May. Check my schedule for details if you'd like to join. ^_^

Explore the darkness,
-Xero

Previous DisCOVERies

May 07 - Faderhead - SexyBack (Justin Timberlake)
Apr 30 - Forevel - It's No Good (Depeche Mode)
Apr 23 - Trent Reznor & Atticus Ross w/ Karen O - Immigrant Song (Led Zeppelin)
Apr 16 - Type O Negative - Cinnamon Girl (Neil Young w/ Crazy Horse)
Apr 09 - PreCog - Pepper (Butthole Surfers)

Directory of All Previous DisCOVERies