seedarklyxero: (SeeDarkly Sunday Discoveries)
Welcome to SeeDarkly Sunday DisCOVERies:
a weekly exploration of goth, industrial, & dark alternative cover songs!
First time here? Click here for details from first entry.
Looking for something previously featured? Click here.


Typically I try to keep these covers "dancable" in terms of modern club dance with definitive and unmistakable rhythms. For this occasion and our monthly Third Sunday Throwback to the twentieth century, I've chosen something seasonally dark and festive done by our gothic godmommy to which you could certainly sway in goth style, but it's not really driven by beats.:

Siouxsie And The Banshees – Il Est Ne, Le Divin Enfant (Traditional - Original Recording Not Found)

Il Est Ne, Le Divin Enfant (translates as "He Was Born, The Divine Child,") is a traditional French carol with origins that date back to the 1700-1800's. Its general tune was derived from two hunting tunes: Ancien Air de Chasse and Tête Bizarde. Its lyrical content, pretty much the story of the birth of Jesus Christ as found in the Book of Luke, is believed to have been penned sometime in the 18th century. The first documentation of the song seems to have been when it was published by R. Grosjean in a 1862 collection of carols, Airs des Noëls lorrains and the lyrical text was published 13 or 14 years later in Dom G. Legeay's Noêls anciens. The popularity of the song would appear to have been surprisingly widespread in those times, to the point of reaching a number of international shores, with a notable cultural variation called Rotonni NiioRoie Mia by the Mohawk Indigenous Indian tribe of Northern Vermont.
The carol apparently also has its own traditional dance, akin to a polka, wherein the dancers fleetingly take the shape of a twinkling star.
It's not entirely clear who the first performer of this centuries old song was, but what might be one of its earliest recordings was done by Canadian folklorist singer and comedian Arthur Lapierre in the early 1900's (reportedly 1928.)
There are at least nearly sixty recordings of the song. Annie Lennox and Tom Tom Club are among artists who have covered it. One of the earliest recordings after Lapierre was done by Siouxsie And The Banshees as a second A-Side track on their 1982 single, Melt, which was released on the Friday following Thanksgiving that year (which in itself has little significance given it was only released in Europe and it was still a few years before that day became commonly refereed to as Black Friday.)
Sioux sings it in its original French, and while there is no specific indication of her inspiration, it's not unlikely she'd heard it in her youth as both of her parents spoke French and her father was from a primarily French-speaking part of Belgium. Whether she'd held any particular religious beliefs at the time, this was not the first time Sioux drew from Catholicism. One of her earliest performances was an improvised twenty minute rendition of The Lord's Prayer. Siouxsie And The Banshees also filmed a very basic video of the band performing the track on the set of a snowy Dickens-esque street. The video included Robert Smith, dejectedly waiting his turn to clash the cymbals he held, but never does.
This haunting rarity can be found on the 2004 Siouxsie and the Banshees box set, Downside Up, perhaps the perfect gift for the elder goth or baby bat in your life this season.:

The Cover:


The Earliest Found:


Next week:
One last carol for the holiday... a darkwave cover filled a bit of wonder on the weekend officially kicking off winter.
д\(✖.̫✖)ノ♪

Comments, suggestions, discussions, etc... always welcome! You do NOT need a Dreamwidth account to reply below, but all replies are screened for spam prevention.

Currently my next gigs will be in January 2020 and I'll spin at least four times throughout New England and upstate New York! Details can be found on my schedule with additional updates soon!

(And if, after 4+ years and 241 weekly entries, you find this blog of any value, consider leaving me a tip in the form of the gift of music and get me something from my wishlist on Bandcamp if you like. It'll go to good use! Thanks!)

Thanks for reading and keep dancing in darkness,

-Xero

Previous DisCOVERies

Dec 08 - Gunship – Time After Time (Cyndi Lauper)
Dec 01 - She Wants Revenge – Hazy Shade of Winter (Simon & Garfunkel)
Nov 24 - Seer of the Merciful Own – One Week (Barenaked Ladies)
Nov 17 - Attrition– Underpass [click, click, drone] (John Foxx)
Nov 10 - Simple Minds – Teardrop (Massive Attack)

. Directory of All Previous DisCOVERies .


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seedarklyxero: (SeeDarkly Sunday Discoveries)
Welcome to SeeDarkly Sunday DisCOVERies:
a weekly exploration of goth, industrial, & dark alternative cover songs!
First time here? Click here for details from first entry.
Looking for something previously featured? Click here.


I tried to find a way to stick to a wintery/holiday theme... and I have a specific song I'd love to be discussing but there just isn't a good enough cover of it for me to justify the indulgence. As it turns out, there is a passing connection to the theme by way of an artist who hosts an annual Home for the Holidays benefit concert to aid homeless LGBTQ youths. Since that event happens Tuesday, (where said artist will receive the first High Note Global Prize for her work in LGBTQ advocacy,) let's take some time to check out this downtempo synthwave cover of her first number one hit for this month's Second Sunday Slowly:

Gunship – Time After Time (Cyndi Lauper)

Cyndi Lauper released her debut solo album She's So Unusual in October 1983. Time After Time was released as the second single from the album in January 1984. Interestingly, it was the first number one hit of her career, not Girls Just Want To Have Fun which only reached number two on the charts despite being a better selling international multi-platinum success over time.
Time After Time was the last song written for the album and was constructed as a pretty straight forward love song about commitment and loyalty with not a lot of specific inspiration. The titular lyric was inspired from little more than a program listing in a TV Guide for the 1979 film Time After Time, starring Malcolm McDowell as H.G. Wells hunting Jack the Ripper in the twentieth century. However the inspiration ends with the title and the song shares nothing more than coincidentally relevant to the film otherwise. It's not clear if Lauper has even seen it.
In 2005, Lauper reworked the song as an acoustic duet with Sarah McLachlan (who will perform with her this Tuesday at the aforementioned holiday benefit concert) for her hits compilation, The Body Acoustic.

Time After Time has been featured in several films and had over two hundred covers of it done by a variety of artists spanning multiple genres over the last thirty-five years.

One of the latest covers comes from the British synthwave project Gunship who included their version on their album Dark All Day, released in October 2018. In an AMA on Reddit, lead vocalist Alex Westaway said the cover came to be "with a bit of trepidation" because "it's such a huge song." He continued, "I was messing around on the piano and stumbled across notes that sounded like Time After Time, sung a couple of lines and it felt pretty cool. It then escalated into a full blown GS track."
Gunship tend toward a cinematic style of outrun retro synthwave, offering an atmospheric opening to the song building the melody until dropping their downtempo rhythms in after the first refrain of the chorus. In its way it feels quite a bit like traveling through time to revisit the era for an exploration of what might have been if only..:

The Cover:


The Original:


Next week:
Third Sunday Throwback to the Twentieth Century! I'll be honest, apart from the regularly scheduled weekly themes, I've been truly indecisive about what to pick until the day before so... feel free to make requests in the comments.

While you're there, tell me what you think about today's cover! Comments, suggestions, discussions, etc... always welcome! You do NOT need a Dreamwidth account to reply below, but all replies are screened for spam prevention.

I've at least two gigs this week, both are a not as dark as you'd find on the whole of this blog, but you'll find some of these tracks there. Also have some Albany based goth/industrial specific events planned for 2020 and more to come. Details can be found on my schedule as well as other updates soon!

(And if, after 4+ years and 240 weekly entries, you find this blog of any value, consider leaving me a tip in the form of the gift of music and get me something from my wishlist on Bandcamp if you like. It'll go to good use! Thanks!)

Thanks for reading and keep dancing in darkness,

-Xero

Previous DisCOVERies

Dec 01 - She Wants Revenge – Hazy Shade of Winter (Simon & Garfunkel)
Nov 24 - Seer of the Merciful Own – One Week (Barenaked Ladies)
Nov 17 - Attrition– Underpass [click, click, drone] (John Foxx)
Nov 10 - Simple Minds – Teardrop (Massive Attack)
Nov 03 - Horrorfall – Juke Joint Jezebel (KMFDM)

. Directory of All Previous DisCOVERies .


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seedarklyxero: (SeeDarkly Sunday Discoveries)
Welcome to SeeDarkly Sunday DisCOVERies:
a weekly exploration of goth, industrial, & dark alternative cover songs!
First time here? Click here for details from first entry.
Looking for something previously featured? Click here.


The season officially begins a few weeks from now, but Mother Nature waits for no one's calendar and is sending Winter Storm Ezekiel to bare its cruel wrath on us in the northeast, chilling our hearts, greying our skies, and will surely blanket us with with far more than just "a patch of snow on the ground." Clearly...:

She Wants Revenge – Hazy Shade of Winter (Simon & Garfunkel)

American folk rockers Simon & Garfunkel released Hazy Shade of Winter as a single in October 1966. While recorded at the same time as their 1966 album Parsley, Sage, Rosemary and Thyme, the track was not included on that album, instead it was placed on their fourth studio lp, Bookends, released in 1968. Song writer Paul Simon has called the track and several others on the album their "dry patch," saying further that "they didn't mean a lot" and "weren't well recorded." While it wasn't a number one smash, the single still managed to be a successful and memorable top twenty hit for the duo. There have been over thirty covers, one of the first and possibly most popular versions was done by The Bangles in 1987. One of the most recent was done by Gerard Way for the Netflix series The Umbrella Academy.

Los Angeles based radio personalities Kevin and Bean, anchor show hosts for KROQ-FM, curated annual Christmas season holiday albums featuring various alternative and rock artists for the better part of a decade and a half between 1991 and 2006. Their final physical media release of such compilations was Kevin & Bean's Super Christmas, with an introductory X-mas greeting from Stan Lee. The proceeds of this compilation went to benefit Starlight Foundation, Friends & Helpers Foundation and other L.A.-based local charities. She Wants Revenge, also from L.A. and likely a friend of the show, contributed their version of Hazy Shade Of Winter. Their inspiration for the track seems to be more dominantly influenced by the version done by the Bangles as both omit 3 lines of Simon's original lyrics. She Wants Revenge has covered one other winter holiday-adjacent song: Kidnap The Sandy Claws from the soundtrack of The Nightmare Before Christmas. They've also covered Love My Way by The Psychedelic Furs.

As a personal aside, while the song itself mentions a specific religious institution known for collecting donations during this time of year, any brief amount of research will reveal the harm that organization has done to LGBTQ+ persons and their communities. Where you have the means and opportunity to give this season, please find other groups worthy of your kindness. Perhaps one of these non-religious pro-LGBTQ charities.:

The Cover:


The Original:


Next week:
The downtempo cover for Second Sunday Slowly might or might not adhere to the general monthly theme I stick to in December... still figuring it out, but if you have a good suggestion leave a comment.

Feel free to tell me what you think about today's cover! Comments, suggestions, discussions, etc... welcome! You do NOT need a Dreamwidth account to reply below, but all replies are screened for spam prevention.

I've at least one gig in December, though another is in development and a few things on deck for 2020 have already been announced. Details can be found on my schedule as well as other updates soon!

(And if, after 4+ years and 239 weekly entries, you find this blog of any value, consider leaving me a tip in the form of the gift of music and get me something from my wishlist on Bandcamp if you like. It'll go to good use! Thanks!)

Thanks for reading and keep dancing in darkness,

-Xero

Previous DisCOVERies

Nov 24 - Seer of the Merciful Own – One Week (Barenaked Ladies)
Nov 17 - Attrition– Underpass [click, click, drone] (John Foxx)
Nov 10 - Simple Minds – Teardrop (Massive Attack)
Nov 03 - Horrorfall – Juke Joint Jezebel (KMFDM)
Oct 27 - Panic Lift – Every Day Is Halloween (Ministry)

. Directory of All Previous DisCOVERies .


underbanner
seedarklyxero: (SeeDarkly Sunday Discoveries)
Welcome to SeeDarkly Sunday DisCOVERies:
a weekly exploration of goth, industrial, & dark alternative cover songs!
First time here? Click here for details from first entry.
Looking for something previously featured? Click here.


Once upon a time, before I started this blog, I organized a couple of Thanksgiving "Covered Dish" dance parties at the clubs where I worked to showcase goth/industrial covers all night long. This week... I offer you not so much of a "dish" but really a "turkey" basted in darkwave and facetious irreverence... you might just thank me.:

Seer of the Merciful Own – One Week (Barenaked Ladies)

Canadian novelty alternative rockers Barenaked Ladies released their fourth studio album, Stunt, in July 1998. Its first single, One Week, came out two and a half months later. The song, a lyrically fast-paced collage of pop culture references, was their first number one hit in the U.S. and a their biggest worldwide success. The verses are entirely irrelevant to the chorus which is devoted to a story about a couple's conflict. Singer/songwriter Ed Robertson has said that was because he "couldn't figure out the verses at all" and he was encouraged by bandmates to simply freestyle the rest. As random as most of the stream-of-consciousness verses seem, they end the song with a shout out to "Birchmount Stadium, home of the Robbie." The "Robbie" is an annual international charity soccer event which raises money for Cystic Fibrosis Canada in honor of Robbie Wimbs, a victim of the disease for whom the charity was initially created.

There are a few covers of the track by mostly unknown artists but none take it to quite as dark a place as Seer of the Merciful Own.
They released a five song EP titled Pars Mortuorum (best translation from Latin is apparently "Book of the Dead") in July of this year. It's described on their Bandcamp page as "Now That's What I Call Darkwave Covers of Music" and includes versions of Hero by Enrique Iglesias, My Heart Will Go On by Celine Dion, Seven Nation Army by The White Stripes, and Blister In The Sun by Violent Femmes. Their version of One Week is the opening track of the EP.
But Seer of the Merciful Own is not what they appear to be and their identity isn't entirely straight forward. The project seems to be created by an independent experimentalist musician operating out of Delaware under the name "tshima" whose real name may be "Slater Clampitt." Their range of musical genres is by no means rooted in darkwave, and Pars Mortuorum is regarded by them as a "dumb idea" (one for which they thank someone named "Dan.") Their version of the song kicks off with a strong sense of darkwave musicality, but as the deep and clearly pretentious vocals unfold, over time their delivery doesn't keep pace with the tempo leaving you to wonder if this is artistry, parody, or both. Not that it was ever a song to take too seriously, but in the spirit of the season in which we celebrate heaping helpings of Mystery Science Theater 3000, try to remember it's just a song, you should really just relax.:

The Cover:


The Original:

Next week:
December is here and winter is coming... everything is so hazy...

Feel free to tell me what you think about today's cover! Comments, suggestions, discussions, etc... welcome! You do NOT need a Dreamwidth account to reply below, but all replies are screened for spam prevention.

I've at least one gig in December, though another is in development and a few things on deck for 2020 have already been announced. Details can be found on my schedule as well as other updates soon!

(And if, after 4+ years and 238 weekly entries, you find this blog of any value, consider leaving me a tip in the form of the gift of music and get me something from my wishlist on Bandcamp if you like. It'll go to good use! Thanks!)

Thanks for reading and keep dancing in darkness,

-Xero

Previous DisCOVERies

Nov 17 - Attrition– Underpass [click, click, drone] (John Foxx)
Nov 10 - Simple Minds – Teardrop (Massive Attack)
Nov 03 - Horrorfall – Juke Joint Jezebel (KMFDM)
Oct 27 - Panic Lift – Every Day Is Halloween (Ministry)
Oct 20 - Missio – Zombie (The Cranberries)
. Directory of All Previous DisCOVERies .


underbanner
seedarklyxero: (SeeDarkly Sunday Discoveries)
Welcome to SeeDarkly Sunday DisCOVERies:
a weekly exploration of goth, industrial, & dark alternative cover songs!
First time here? Click here for details from first entry.
Looking for something previously featured? Click here.


So when I pulled up today's obscure 20th century cover for Third Sunday Throwback, I had a specific EBM industrial band's cover in mind. When I started my research on the track, I found an even better dark ambient industrial version a couple years fresher than the one I originally planned!:

Attrition– Underpass (click, click, drone) (John Foxx)

John Foxx, having left his role as frontman of Ultravox, released Underpass in January 1980, the first single from his debut solo album, Metamatic. It's considered only a minor hit in the UK, but seems to have some long held recognition over the years, marking itself as Foxx's most memorable song. An early press release for the album stated that Foxx left Ultravox because he had "decided it was easier to work alone with synthesisers, than within the context of a group." In an effort to "strip things down to the simplest possible level," Foxx says he recorded Underpass on an 8 track machine but only used six of its eight channels. "It was that kind of minimalism that I wanted to get to. I did that to let each sound have as much aural space as possible- that was influenced a lot by dub reggae, which was new at the time."
There are three known covers the track. One is by Seeland in 2010. Another is by The Psychic Force, first released on a limited live recording split album with Systemfehler in 1993, and later as a studio version released in 1994 on their album, Traces.

The other is by Attrition who provided their version (with the added sub-title, click, click, drone,) to a various artist compilation of covers called To Cut A Long Story Short - A Tribute To The Pioneers Of Electronic Pop released in June 1995 in Sweden. Named after the Spandau Ballet song, the collection features seventeen tracks as "a tribute to some of the bands that pioneered the use of the Synthesizer, not only as a pop instrument but as a shiningly modern source to futurist romance."
Attrition later included the track on their 2001 album, Keepsakes & Reflections : A Collection Of Rarities which also features their covers of Dead Kennedys, Black Tape For A Blue Girl, and Ministry. They describe their version as "totally transposed into the Attrition sound," "an honest and minimal adaptation."
Interestingly, it was shortly after Attrition's cover in 1997 that Foxx released a reworked version of the track called Overpass in which he changed the titular lyric and made the song a little more high energy electro, where his original is raw and eerie, though both maintain his harsh vocals similar in a style to Gary Numan. Attrition may have kept it as minimal as the original but succeeded in smoothing its edges and adding even more of a sense of supernatural mystery.:

The Cover:


The Original:


Next week:
Turkey Jerky Pumpkin Pie... giving thanks may make you cry! ¯\_(ツ)_/¯

Feel free to tell me what you think about today's cover! Comments, suggestions, discussions, etc... welcome! You do NOT need a Dreamwidth account to reply below, but all replies are screened for spam prevention.

The next of my upcoming gigs are in development but a few things on deck for 2020 are announced.  Details can be found on my schedule as well as other updates soon!

(And if, after 4+ years and 237 weekly entries, you find this blog of any value, consider leaving me a tip in the form of the gift of music and get me something from my wishlist on Bandcamp if you like. It'll go to good use! Thanks!)

Thanks for reading and keep dancing in darkness,

-Xero

Previous DisCOVERies

Nov 10 - Simple Minds – Teardrop (Massive Attack)
Nov 03 - Horrorfall – Juke Joint Jezebel (KMFDM)
Oct 27 - Panic Lift – Every Day Is Halloween (Ministry)
Oct 20 - Missio – Zombie (The Cranberries)
Oct 13 - 29 Died – The Addams Family (Vic Mizzy)
. Directory of All Previous DisCOVERies .


underbanner
seedarklyxero: (SeeDarkly Sunday Discoveries)
Welcome to SeeDarkly Sunday DisCOVERies:
a weekly exploration of goth, industrial, & dark alternative cover songs!
First time here? Click here for details from first entry.
Looking for something previously featured? Click here.


I've been sitting on this one for a while, and I don't have any particular reason for dusting it off for today's Second Sunday Slowly. It's just a beautifully dark and kind of astonishing downtempo cover of a triphop dancefloor favorite from a very unexpected (and yet oddly appropriate) source!:

Simple Minds – Teardrop (Massive Attack)
Massive Attack released their third studio album, Mezzanine in mid April 1998, followed a week later by their second single from it, Teardrop. The song's foundational element is a sample from jazz pianist Les McCann's 1973 song Sometimes I Cry. The lyrics were written and sung by Elizabeth Fraser, of the Scottish alternative rock band, Cocteau Twins. Madonna had been approached to take this role, (having worked with them just a few years prior on their cover of Marvin Gaye's, I Want You) but two of the three members of the project felt Fraser would fit the song better. Fraser wrote the lyrics under the inspiration of French philosopher Gaston Bachelard, but recorded her vocals while mourning her friend, singer/songwriter Jeff Buckley who had been found dead at the time of their sessions. In one interview, Fraser said that the "song's kind of about him - that's how it feels to me anyway."
Teardrop gained a significant amount its of widespread recognition beyond their platinum sales in the UK thanks to its inclusion as the theme song for the 2004-2012 television series, House.

Out of over thirty covers of the song, one of the first few tributes came from the Scottish alternative rock band Simple Minds. Sounds like a potentially ill-fit, unsuitable for the song, but the band does something surprisingly darker than their familiar repertoire would lead one to expect of them. Their version was released in 2009 on a deluxe 2-CD edition of their fifteenth original album, Graffiti Soul. The second disc, titled Searching for the Lost Boys, features nine covers (including songs by Siouxsie and the Banshees, Magazine, The Call, Neil Young, and more) all recorded in-between sessions for the original material on the primary disc. They describe the sessions as having gone "better than we hoped" and felt the need to keep playing and "go off message occasionally." They explain, "there was very little preparation. Someone spontaneously called the tune, and it was plug in, turn on the valves, tune the drums, and scribble down the lyrics." Continuing they said, "with zero time for deliberation, it was a free ride as we played out of our skins, and it was primitive - as we let the life force take over." They characterize that "life force" as the "spirit of The Lost Boys," "the boys we ourselves once were at the onset" [of their career.]
Their cover of Teardrop reflects that spirituality, drawing on deep sounds from their own past as well as elements of middle eastern influence.
So the thread flows... the result is a Scottish alternative rock band covering a trip hop song featuring a Scottish singer and samples from an African-American jazz pianist with a Scottish/Irish name. Sometimes the winding tale of a song takes you to unthinkable places just to lead home again.:

The Cover:


The Original:


Next week:
Third Sunday Throwback to the 20th Century!

Feel free to tell me what you think about today's cover! Comments, suggestions, discussions, etc... welcome! You do NOT need a Dreamwidth account to reply below, but all replies are screened for spam prevention.

I have a gig tonight in Providence! Other upcoming gigs are in the works with a couple of very exciting announcements TBA, please watch my schedule for updates!

(And if, after 4+ years and 236 weekly entries, you find this blog of any value, consider leaving me a tip in the form of the gift of music and get me something from my wishlist on Bandcamp if you like. It'll go to good use! Thanks!)

Thanks for reading and keep dancing in darkness,

-Xero

Previous DisCOVERies

Nov 03 - Horrorfall – Juke Joint Jezebel (KMFDM)
Oct 27 - Panic Lift – Every Day Is Halloween (Ministry)
Oct 20 - Missio – Zombie (The Cranberries)
Oct 13 - 29 Died – The Addams Family (Vic Mizzy)
Oct 06 - Creature Feature – Grim Grinning Ghosts (The Mellomen)
. Directory of All Previous DisCOVERies .


underbanner
seedarklyxero: (SeeDarkly Sunday Discoveries)
Welcome to SeeDarkly Sunday DisCOVERies:
a weekly exploration of goth, industrial, & dark alternative cover songs!
First time here? Click here for details from first entry.
Looking for something previously featured? Click here.


Wrapping up our four-part Octoberween series of Halloweeny covers, we end with a modern industrial update of what is for those of us so inclined to dwell in the dark our mantra, our anthem, our very way of unlife. It's overdue and yet ever-present because for us, it's everyday!:

Panic Lift – Every Day Is Halloween (Ministry)

Ministry released (Every Day Is) Halloween as the b-side of their All Day single in 1984. The single was done during the band's transition between labels after their first album, With Sympathy, and their second, Twitch, which ending up including a remix of the a-side but not the b-side. The fact that the song is perhaps the band's most popular song hasn't stopped frontman and songwriter Al Jourgensen from long declaring his supposed disdain for it. In his 2013 autobiography, Jourgensen said,."...the track that everyone lost their shit over was (Every Day Is) Halloween. To this day I hate it, but people are still playing it. It's got this gothic vibe, this repetitive hook, and this vocal that goes, 'boppy-bop-bop' that people like. Radio stations always pull it out around Halloween, but it's not even about Halloween—it's about people giving you shit for having a mohawk. 'Why do you look like you're dressed for Halloween, you freak?' In the song I just railed against that. I didn't think it was going to strike a chord with anyone."

Ministry abandoned the song's synthpop style of industrial for a rock-edged industrial sound by their third album. In 2010, they re-recorded the track to fit their current style, but it doesn't seem to have greater appeal to their fans than the original. Last year Ministry performed an acoustic rendition of the song with Jane's Addition guitarist Dave Navarro for the first time in concert in over thirty years following their collaboration on the acoustic version on Navarro's radio show.
The scream heard in the song was sampled from James Brown's Get Up Offa That Thing.
The song's signature bass-line was sampled almost immediately by a lesser known R&B/Soul singer Nicole McCloud and her 1985 single Don't You Want My Love, pretty much marking the height of her career.

There have been a little over a dozen covers of Every Day Is Halloween, one of the most recent released just days ago by Unwoman.

In October of 2014, the industrial project Panic Lift released their version as a free download for fans. Frontman James Francis had called on them to vote on a Halloween-themed song for them to record, the intent was to produce and release it before the end of that week. Earlier that year they did a similar poll which led to Francis releasing a lackluster version of Sponge's 1994 single, Plowed. When the votes were tallied and Every Day Is Halloween was declared the winner Francis announced, "this is one of my favorite songs, so I promise this time I'll do the song some justice."

And so he has! It is both loyal to the original while injecting some original interpretations and a vocal style some may find similar to The Faint. The cover was later included on their 2016 album Skeleton Key but it's still made available as a free download separate from the album. It's an excellent update of the song sure to make you dance with all those things that go bump in the night!:

The Cover:


The Original:



If you want to check out all previous OCTOBERWEEN covers,
click here to filter that tag and scroll down!
HAPPY HALLOWEEN!


Next week:
We slip back an hour in time on Daylight Savings, and face Election Day... the horror of it all is I have nothing relevant to share so I guess we'll just be juking with another updated version of an industrial classic!

Feel free to tell me what you think about today's cover! Comments, suggestions, discussions, etc... welcome! You do NOT need a Dreamwidth account to reply below, but all replies are screened for spam prevention.

I have two Halloweek gigs left this week and another set up in November! For details about those and other upcoming gigs, please check my schedule!

(And if, after 4+ years and 234 weekly entries, you find this blog of any value, consider leaving me a tip in the form of the gift of music and get me something from my wishlist on Bandcamp if you like. It'll go to good use! Thanks!)

Thanks for reading and keep dancing in darkness,

-Xero

Previous DisCOVERies

Oct 20 - Missio – Zombie (The Cranberries)
Oct 13 - 29 Died – The Addams Family (Vic Mizzy)
Oct 06 - Creature Feature – Grim Grinning Ghosts (The Mellomen)
Sep 29 - Synthetic Division – Somebody (Depeche Mode)
Sep 22 - Sawtooth – Mindfields (The Prodigy)

. Directory of All Previous DisCOVERies .


underbanner
seedarklyxero: (SeeDarkly Sunday Discoveries)
Welcome to SeeDarkly Sunday DisCOVERies:
a weekly exploration of goth, industrial, & dark alternative cover songs!
First time here? Click here for details from first entry.
Looking for something previously featured? Click here.


Continuing our annual series of Halloween specific cover songs to celebrate the month of October, we have another trick in our regular programing! Last week I moved what would be our Third Sunday Throwback to the twentieth century into the Second Sunday Slowly slot reserved for down tempo tracks. Well it's an official swap as we present a dark alt/chillwave cover of a song that has been incorporated into Halloween playlists, presumably more for its name than the scary nature of its origins.:

Missio – Zombie (The Cranberries)
The Cranberries released Zombie just a couple of weeks before the October 1994 debut of their second album, No Need To Argue. It was the first single from the album but their label at the time, Island Records, didn't want to put it out at all. They objected to its highly political message and, as it's reported, offered the band a million dollars to work on some other song. The band's manager was quoted saying of the late singer/songwriter Dolores O'Riordan, “Her belief was that she was an international artist and she wanted to break the rest of the world, and Zombie was part of that evolution. She felt the need to expand beyond ‘I love you, you love me’ and write about what was happening in Ireland at the time.”
What was happening in Ireland? In early 1993, as part of a long fight for Northern Irish independence from British rule, the Provisional Irish Republican Army (IRA) bombed two locations in Warrington, Cheshire, England. The second of the bombings injured over 50 people and killed two children. Addressing that tragedy with little subtlety in her lyrics, O'Riordan said in one interview, "I knew that would be the angle of the song, because it was controversial."
The single was a multi-platinum success despite not actually being released in the U.S. at all, where instead its widespread radio and music television airtime seemed to elevate album sales. O'Riordan said she "was kind of taken aback with the success of the song. I didn't know it was going to be that successful."
There are over fifty covers of the track, including one done by an industrial project called Give Me Gyp who do not seem to have recorded anything else under that name.

Missio, a synthpop/futurebass duo, seem to have first released their cover of Zombie on the internet in January 2015 as a "New Year's gift" for fans.  Vocalist Matthew Brue said that when choosing a cover they "look for darker sounding tracks that speak to us on another level than just 'that beat/riff is cool.'" He said that Zombie "spoke to us in ways that resonated with us as artists.  We came to the decision early on that we will not release something that we expect people to relate with if we cannot relate with it first.  We’re not interested in covering a song because it’s popular and will “get the plays up.”  We want to be releasing material that gives people that emotional impact that we’re all looking for in our lives."
The track was seemingly removed from various streaming services, but they opened it to the public again after the death of O'Riordan in January 2018.
They have also remarked that they would be releasing the cover along with others as part of an upcoming record.
Their take on Zombie starts with a kind of atmospheric chant of the weapons of war mentioned in the lyrics before its opening melancholy and mysterious melodies and lead verses, dropping its dark downtempo rhythms after the first chorus. It's reminiscent in some ways of the styling of The Cranberries' work previous to this track, deconstructing the rock sound and texturing it with a cinematic soundscape of spookiness.
Obviously The Cranberries never intended the song for Halloween consumption and the "Zombie" in question isn't one of the brain-biting variety, but that doesn't mean it's not a welcome goth-friendly-pop treat for the season!:

The Cover:


The Original:


Next week:
Wrapping up Octoberween with the declaration of the edict by which we creatures of darkness live!

Feel free to tell me what you think about today's cover! Comments, suggestions, discussions, etc... welcome! You do NOT need a Dreamwidth account to reply below, but all replies are screened for spam prevention.

I have two Halloweek gigs before the next blog and two more the week after! For details about that and other upcoming gigs, please check my schedule!

(And if, after 4 years and 233 weekly entries, you find this blog of any value, consider leaving me a tip in the form of the gift of music and get me something from my wishlist on Bandcamp if you like. It'll go to good use! Thanks!)

Thanks for reading and keep dancing in darkness,

-Xero

Previous DisCOVERies

Oct 13 - 29 Died – The Addams Family (Vic Mizzy)
Oct 06 - Creature Feature – Grim Grinning Ghosts (The Mellomen)
Sep 29 - Synthetic Division – Somebody (Depeche Mode)
Sep 22 - Sawtooth – Mindfields (The Prodigy)
Sep 15 - Massive Attack – Man Next Door (The Paragons)

. Directory of All Previous DisCOVERies .


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seedarklyxero: (SeeDarkly Sunday Discoveries)
Welcome to SeeDarkly Sunday DisCOVERies:
a weekly exploration of goth, industrial, & dark alternative cover songs!
First time here? Click here for details from first entry.
Looking for something previously featured? Click here.


Celebrating the spookiest month of the year we continue with our annual series of Halloween specific cover songs! Normally we'd do a down tempo track for the second Sunday and a twentieth century throwback for the third, but instead I'll trick you with this obscure industrial treat from the nineties this week since it's so relevant to that all together ooky movie in theaters this weekend!:

29 Died – The Addams Family (Vic Mizzy)

The Addams Family first appeared in 1938 as a series of satirical single-panel comics in The New Yorker. Created by the late Charles Addams, The Addams Family were a macabre (though still wholesome) reflection of the typical American nuclear family. The comics were adapted to a television series on the ABC network in 1964 with its theme developed by Vic Mizzy. (Interestingly CBS began airing The Munsters a week after their debut, on the same night of the week to compete for viewers.)
The The Addams Family theme featured spoken word elements voiced by Actor Ted Cassidy who played Lurch on the show. Mizzy's theme and soundtrack were released as a full LP titled Original Music From The Addams Family in 1965, but it excludes Cassidy's vocals. The theme was released as a single and, though it failed to chart in any significant way, it did receive a Grammy nomination for "Best Engineered Recording – Special or Novel Effects."
There have been over twenty covers of the theme, including modernized updates for the cartoons and films that followed the original.
The current film has a cute homage and numerous uses of the instrumental theme and a new revision of the lyrical song just before the final credits.

In 1997, TV Terror: Felching A Dead Horse was released, curated by one Rev. Jayson Elliot who said the idea was inspired by a Sisters of Mercy tribute album (presumably First And Last And Forever from 1993.)  Elliot said the tribute was "full of step-Sisters straining their adrenaline to recreate their favorite floorshow according to their own vision thing." He continued, "I had to wonder what was the point? How much better to have them cover, I don't know, TV themes maybe?" What "started as a joke" took three years to compile and features TV theme covers from 16 Volt, Electric Hellfire Club, Kevorkian Death Cycle, Alien Sex Fiend, and many more.
A short-lived industrial project called 29 Died (possibly named in reference to President Warren G. Harding who died in office) contributed their high energy and stomp worthy version of The Addams Family. With only two albums of their own before disbanding, they also had done a cover of Tainted Love, which may not have been authorized and is difficult to find outside the original pressings of their 1995 album, Sworn.
Their cover starts effectively the same as the original before slightly rearranging the rhythm to give it a resonate sound somewhat reminiscent of Pop Will Eat Itself. They also alter the vocals done by Cassidy from deep growl to harsh exclamatory shouts. I wouldn't call it "kooky" but it certainly is a scream!:

The Cover:


The Original:


Next week:
It might be a second throwback for the month... then again we might be treated to another trick!

Feel free to tell me what you think about today's cover! Comments, suggestions, discussions, etc... welcome! You do NOT need a Dreamwidth account to reply below, but all replies are screened for spam prevention.

My latest gig is tonight under the light of a full moon! For details about that and other upcoming gigs, please check my schedule!

(And if, after 4 years and 232 weekly entries, you find this blog of any value, consider leaving me a tip in the form of the gift of music and get me something from my wishlist on Bandcamp if you like. It'll go to good use! Thanks!)

Thanks for reading and keep dancing in darkness,

-Xero

Previous DisCOVERies

Oct 06 - Creature Feature – Grim Grinning Ghosts (The Mellomen)
Sep 29 - Synthetic Division – Somebody (Depeche Mode)
Sep 22 - Sawtooth – Mindfields (The Prodigy)
Sep 15 - Massive Attack – Man Next Door (The Paragons)
Sep 08 - Lana Del Rey – Doin' Time (Sublime)

. Directory of All Previous DisCOVERies .


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seedarklyxero: (SeeDarkly Sunday Discoveries)
Welcome to SeeDarkly Sunday DisCOVERies:
a weekly exploration of goth, industrial, & dark alternative cover songs!
First time here? Click here for details from first entry.
Looking for something previously featured? Click here.


We live by a edict... Everyday is Halloween. But we know once October starts, we REALLY let the floodgates open! So here we are again to enjoy four covers of Halloween-specific spooky songs, the first of which features spectral creatures with sinister smiles who haunt an abode of antiquity!:

Creature Feature – Grim Grinning Ghosts (The Mellomen)

Walt Disney World opened their Haunted Mansion attraction in August of 1969. Grim Grinning Ghosts (The Screaming Song), a song written by Buddy Baker and Xavier "X" Atencio, is played throughout the tour of the house. The title is believed to be taken from the poem Venus and Adonis by William Shakespeare. Narrated and sung by Thurl Ravenscroft and his quartet, The Mellomen, and a small number of additional vocalists, the first known release of the track seems to be on a commemorative record, likely sold at the gift shop at the end of the ride, titled, The Story And Song From The Haunted Mansion. Ravenscroft is apparently a part of the ride in the form of a bust that sings a portion of the song in the graveyard scene. Ravenscroft was Disney's usual go to for these types of darker productions. Just prior to this he was called upon to soundtrack Winnie the Pooh's anxiety dream in the short film, Winnie the Pooh and the Blustery Day.
Grim Grinning Ghosts was of course adapted to the soundtrack of the 2003 Haunted Mansion film starring Eddie Murphy.

Creature Feature, a gothic/cabaret/horror rock band, announced that they intended to offer up an annual Halloween cover to be released on the first Friday of every October, starting in 2018. Their seminal effort was their vaguely Oingo Boingo-inspired version of Grim Grinning Ghosts. They've not revealed much about their motivation for this particular track apart from their general commitment to making their music somewhat of a one-stop "Halloween party playlist." Their version streamlines the song to make it a tight and bouncy dark dance track, omitting all the narration and with only vocalist Curtis Rx singing, adding a modulated growl for an eerie effect near the end. As to their promise to deliver a new cover on the aforementioned schedule, their release for this month is now over due and they've not announced if it should be expected, but it might be worth keeping an eye out!:

The Cover:


The Original:


Next week:
Not a "creature feature" but an ookie spooky family film hits theaters next weekend so we'll revisit the twentieth century an extra time this month, forgoing our usual Second Sunday Slowly, for a late nineties industrial version of this timeless TV and film theme song.

Feel free to tell me what you think about today's cover! Comments, suggestions, discussions, etc... welcome! You do NOT need a Dreamwidth account to reply below, but all replies are screened for spam prevention.

My next gig comes up in two weeks on the night of a full moon! For details about that and other upcoming gigs, please check my schedule!

(And if, after 4 years and 232 weekly entries, you find this blog of any value, consider leaving me a tip in the form of the gift of music and get me something from my wishlist on Bandcamp if you like. It'll go to good use! Thanks!)

Thanks for reading and keep dancing in darkness,

-Xero

Previous DisCOVERies
Sep 29 - Synthetic Division – Somebody (Depeche Mode)
Sep 22 - Sawtooth – Mindfields (The Prodigy)
Sep 15 - Massive Attack – Man Next Door (The Paragons)
Sep 08 - Lana Del Rey – Doin' Time (Sublime)
Sep 01 - HexRX – Living On Video (Trans-X)
Aug 25 - Iris – I Wanna Be Adored (The Stone Roses)

. Directory of All Previous DisCOVERies .


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